Yes. As simple as that,
Do typophiles have a good handwriting?
Are you concerned with the meaning behind your handwriting and try to express something using it, or is it simply an uncontrollable aspect of you?
Not typophile-specific, but very interesting nonetheless:
http://www.themaninblue.com/articles/handwritten_typographers
Mine is so unbelievably horrid, that upon graduation, my mom used examples of it to calm the parents of desperate preschoolers.
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Personal Art and Design Portal of Ivan Gulkov
www.ivangdesign.com
I never thought of graphology as something to take notice, never found an example i could trust, but i know little about it to criticise. To some point i believe handwriting can be a reflex of something, but i think it has more to do with pratice, dedication, context (and this is why i posted that image) and usefullness. Then it evolves, and becames an extension of your arm... so, it’s like drawing. This is what I think, it might be naive...
“i think it has more to do with pratice”
“Then it evolves, and becames an extension of your arm”
…or it doesn’t, especially nowadays. When people don’t write by hand every day and all the time, I don’t really see how some “signal” of their personality (assuming there can be such a thing to begin with), in their handwriting, wouldn’t be drowned out by the noise caused by troubled technique, and lack of practice.
Like, I know a bunch of people in computer jobs who all have similarly horrid, inconsistent, and illegible handwriting, while they’re vastly different people/characters. What unites them is, they don’t usually hand-write.
I read the other thread and ChrisL said he was a victum of having to take quick notes. This totally rings true for me. I’ve had times where I’ve had to litraly decipher my own scrawl and re-write it just to make the information useful. I realy dont think that it can get better with practice, or maybe it can when your still younger, as long as you dont have to rush! Who knows? It’s nice to know that im not the only one who sufferd!!! nice topic idea btw.
In grade two, when we started to learn cursive writing instead of printing, mine was so bad that my teachers stopped asking me to try and just go back to printing. My dad printed in caps, and of course I wanted to be just like dad, so from then on, I printed in capital letters. After a while, (20 years) it got to a point that it was so messy that I couldn’t read my own notes half of the time.
I had always known about the Bouma model, so I decided to try an experiment.
So there I was, 20something years old, sitting on my deck in downtown Toronto with a stack of printouts with dashed lines on them and I literally practiced drawing a sheet of letter a’s, then b’s, then c”s… I did this for a little less than a week, and then simply forced myself to print in U&lc. It took about six months - one year to become comfortable with it, but once I had made the transition I noticed that I could go about 2x faster, have letters that were almost 2x messier, but due to the fact that I now had word-shapes that weren’t there when printing in all caps, I could read it 2x as easily. It’s still pretty bad though.
Even more interesting, the day following a seizure, my handwriting is bad beyond belief. If I’m not sure I’ve had a seizure in my sleep, my handwriting the next day is often a give-away. I’m sure there’s a PhD thesis in there somewhere.
on a very basic, level I guess there is something to the concept of graphology - The perosn with a very tidy cursive who dots their i’s with little circles may have a different personallity than the person with hand writing that looks like it was done in total darkeness while he was blind drunk. Other than that... no.
Mine is like one of the above.
-=®=-
Interesting topic, one I’ve always wondered about.
I pretty much learned to type so that others could read my writing. When I do write it is more of a shorthand notation. You could not understand the individual words without the greater context. I think I learned that from my dad. When I do try to slow down and write legibly it usually comes out mixEd cAsE and I tend to run out of room on the right side of the sheet.
And as far as content (like my graphic design) I usually need to spew it all out on the sheet then cut/paste/move it into some sort of logical order. Hard to do when it’s hand written.
...I’m glad I’m not the only one :-)
I guess I also “ligate” like Nina. Crossing T’s and dotting i’s can make a mess. And any letters that have similar adjacent strokes I sometimes merge together. The word “walk” would have w, a, l, and then I’d use the vertical from the l for the k. So if you didn’t know the context it would say “wak”. There are others, but I can’t think of them when I try.
Yep!
Someone has to make up for Chris’s frailties : )
Edit: when I got to the checkout line at the grocery store last week a woman looked at my list and complimented my wife on her handwriting. I told her it was mine. We got to talking and found out she was an art director. Gave her my card and she said she needed a lettering artist for a logo she was working on. Started on it yesterday. Cool huh?
Michael
Another no here. I can’t always read my fast notes, which can be tricky after a briefing.
At school I often had a little message from the teacher in test papers to write more neatly (with pencil). In the upper secondary school I wrote all my notes with a fountain pen with ink cartridges. That was sometimes messy but mostly enjoyable, I should really replace the usual ballpoint pen with one of those.
Hey Chris
Have you noticed that the doctors always write their handwriting sloppiness off to the harried pace. Last time at the doctors office I told him he could not use that as an excuse anymore because I sat in the little room for an hour while I heard him joking with the nurses. Told him I hoped that he was practicing his handwriting while I was waiting, otherwise I was going to start billing him for waiting time.
Michael
I have incredibly ’immature’ handwriting in my opinion.
Michael - clearly not the first to say ... but that is some awesome hand writing.
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Paul Ducco
Graphic Designer - Melbourne
After years of graphite covered palms on my left hand, my printing style never evolved after 7th grade and my cursive looks something like Chank’s Yellabelly font which I only use to write out checks, otherwise I did make certain to spend many evenings as a kid developing a ’cool’ signature since I knew that’s what I’d be writing most often . . .
:D
mine was never good, but I have improved it over the year, and now it is not really all that bad for things like, uh, lists.
I make a good show of taking notes and meetings, but anything longer than a few lines though and it deteriorates to illegibility, and I give up and just doodle :o)
I blame computers.
-=®=-
I always had quite meticulously written lecture notes in my (Maths) undergrad degree, which is probably why I eschewed Word in favour of LaTeX and consequently started caring about typography ... These days I hardly write anything by hand so it has deteriorated somewhat but I bought a calligraphy book last week. Will see where that takes me.

When it comes to my handwriting, my love of type begins to look like a matter of pure pragmatism.
My handwriting is heavily influenced by my mother’s, which could be described charitably as “EKG-like.” As a result, I tend to write in all caps to slow myself down and make the letter forms more distinct. Additionally, I’m a lefty, which adds a whole other layer of handwriting impediments.
I made a free font of my Dad’s handwriting, called Chemist:
http://cathydavies.com/fonts.html

And, as an owner of several expensive coffee table tomes on Eric Gill, I’m certain he was a typophile.
He made some very unusual lettershapes, consistently. For example, lowercase e’s wth a distinct crescent shape, like an uncial e.
Has anyone out there admired their parents’/grandparents’ handwriting?
Hey Cathy, I’d just found that font of yours online the other day.
I certainly liked my dad’s handwriting too; he was not hugely educated, nor particularly interested in “calligraphy”, but just brought up in a time when kids were taught to write “properly” more than they have been lately, I suppose...
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Ever since I chose to block pop-ups, my toaster’s stopped working.
“Has anyone out there admired their parents’/grandparents’ handwriting?”
Cathy, my grandfather and my father had very similar handwriting, i find them beautifull, yet had totally diferent education levels, and they both also have some drawing skills. My mother has one of those rounded, huge, handwritings. Both my parents are primaryschool teachers, and their handwritings are not, by far, a reflex of what they teach at school :P
I think i was influenced by my father’s, i always tried to copy it... in the end, with no success, as you can see above, some say :P
i’ll try to find some examples to show you :)
“graphology is to graphic design what phrenology is to neurology”
I’ve actually been gathering research and books on graphology. Neurology as well, but that’s another topic.
I run the risk of being stoned to death for supporting quackery, but mind you, handwriting analysis is respected in Europe, less so in the United States, and if for nothing provides an interesting and often times amusing take on letterforms from outside my profession.
Antiquated systems of interpretation and description have their merits in the over all scheme of everything. It wasn’t that long ago that designers were seriously trying to find the corresponding geometric shapes for the colors red, blue, and yellow.
Do you have this?
http://www.amazon.com/Manual-Graphology-Eric-Singer/dp/0517616726
@ daniel_poeira : That happens to you too?
My scribbly hand printing was the basis of nearly the second font I made, which I released for free and of those early works is the most popular. Even had requests for embedding licenses, and seen it pop up places I wasn’t told about.
Working on polishing it up with an expanded character set for a pay release.
Nick, I do have that book, although I cannot say I have read through it.
I have a whole stack of graphology books waiting for a rainy weekend, but the one that gives a nice general historical view of the differing schools of graphology is the recently published The Definitive Book of Handwriting Analysis: The Complete Guide to Interpreting Personalities, Detecting Forgeries, and Revealing Brain Activity through the Science of Graphology by Marc Seifer.
I cringe at the words Definitive, Complete, and Science in the title.
No, I am not a new age freak burning scented candles in my isolation room.
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