Maybe someone can enlighten me on a thought that popped into my head the other day. Do type designers write like they design? Is your handwriting better than most people or is it just as sloppy as the next guys?
My handwriting downright sucks! It is unreadable to anyone but me. Once upon a time I was a decent caligrapher though. It didn't rub off on my handwriting which continues to deteriorate as I age. A few years ago I took a stab at doing a typeface based on my handwriting. In order to make it readable I had to make many changes. It read reasonably well after much revision but I would not use it as a writing model for school kids by any means.
ChrisL
Because handwriting today is not for public use. Everything we do for others we type, therefore, there is no need for neatness. The further I went through school and work, the faster I had to write taking notes or whatever. Speed kills. The other end of it is that perhaps type design, in some way, makes up for this difficiency--kinda like the Napoleon complex.
ChrisL
FYI -- Not all designers have poor penmanship.
Mistral, by Roger Excoffon, 1953
"Mistral is a loose running script based directly on the handwriting of its designer, Roger Excoffon. His goal was to create a typeface with a true handwritten style, but in this case, the writing looks as though it were done with a brush or heavy felt tip."
-- info from MyFonts.com
i have the handwriting from hell.
... this from the guy who designed Radio, so that should answer your question.
Why don't we scan and post? I'd be curious to see what our handwriting looks like...
Write out one of your favorite pangrams, cursive & print.
Here's mine.

--Michael.
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// love what you do or do something else. //
Michael Ebert -- graphic designer, jazz saxophonist, horror movie devotee
http://homepage.mac.com/mwebert
mwebert@mac.com
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Here's my printing with great concentration, and redoos included
But normally my writing makes even me want to puke.
My best friends handwriting was good enough to be made into a font.
Inlcude me among the type designers with lousy handwriting. In my case, it is largely due to not being taught the correct way to hold a pen at my first school. I briefly went to a school that included penmanship in the curriculum, when I was nine, but by then the damage was done and despite a number of efforts I have never been able to get used to holding a pen correctly and writing with my arm rather than with my fingers.
PattyFab: Love your handwriting. Both print and cursive would make fine fonts...
ChrisL: Where are your fonts available? I'm a big fan of Now Sans (and now Chrishand).
An aside question: What was the first typeface that you can remember imitating in your handwriting/lettering?
For me, it was University Roman (it was the '80s, after all...)
--Michael.
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// love what you do or do something else. //
Michael Ebert -- graphic designer, jazz saxophonist, horror movie devotee
http://homepage.mac.com/mwebert
mwebert@mac.com
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My handwriting is horrendous is most situations where speed is required. I'm also a lefty, which contributes. I've taken to writing in small caps to keep my letterforms distinct. If I don't, my handwriting would become like my mother's which is one step away from looking like seismographic charting. However, if I can slow myself slightly and write on a surface like a notepad, my writing quickly shapes up.
If my handwriting were ever digitized it would have to be Open Type because there is very little rhyme or reason to which letters I connect up. Sort of a roman/cursive hybrid. Just trying to be different I guess... but it was always important to me that my handwriting be both good and distinctive because my mom's is. Altho mine looks nothing like hers.
I want to see more samples!
An aside question: What was the first typeface that you can remember imitating in your handwriting/lettering?
In eighth grade (about 1970) I redrew the "We Try Harder" type from the Avis ads, which were set in Perpetua Bold, though I didn't know what it was called at the time. I still have it around somewhere.
If I see this about 95% of the typedesigners have a lousy handwriting (incl. me). The alphabet is based on the handwriting, so this thread is a compliment to most type designers. They are able to make good fonts without having a good handwriting themselves.
I think the guys from Underware must have a very good handwriting. In there fonts you practically see the handwriting. (Have a look at the Typeradio.org-banner on the upper right side of this website.)
Regards,
®ené
www.characters.nl { Dutch typography to express yourself }
Boy, Tim, your handwriting is exquisite.
--Michael.
------------------------------------------------------
// love what you do or do something else. //
Michael Ebert -- graphic designer, jazz saxophonist, horror movie devotee
http://homepage.mac.com/mwebert
mwebert@mac.com
--------------
Underware handwriting (at least I assume it is)
http://www.typeworkshop.com/index.php?id1=type-basics&id2=&id3=&id4=&id5...
Thanks Michael and Patty
Tim
Guys, it's no use writing a sample for this thread - it has to be done spontaneously.
Further to this: a while ago it hit me that to make typography feel like handwriting, it's not enough to make things irregular, it's not even enough to make things contextual; you need to reproduce the most basic element of handwriting: mistakes! Bad spelling, crossed-out stuff, messy linebreaks, the works. It probably can't even be done by a font. Except maybe by Amy!
> a compliment to most type designers.
Or you could instead say that it's simply a result of
"the alphabet is based on handwriting" being false.
hhp
Bad spelling, crossed-out stuff, messy linebreaks, the works. It probably can’t even be done by a font. Except maybe by Amy!
ah yes, my next project. ;)
despite the magic of opentype, i'd argue that handwriting fonts simply can't do what handwriting does...basically, handwriting fonts are simulacrum of handwriting.
if we look to graphology, the best way to get a sample of someone's handwriting is to take it from something previously written, to really capture the unconscious forms that occur when we're taken off guard.
I'll never forget the teacher of my first computer science class (who'd been a student of Von Neumann) torturing us for half an hour trying to get us to come up with an elegant routine for doing a certain problem (involving cross-word puzzles), and at the end telling us with a serious grin: "You don't use a computer for this - you do it by hand." They don't make 'em like that no more.
hhp
the magic of opentype
The thing is, OpenType scripts have concentrated on capturing the beauty of formal calligraphy.
If the same amount of genius that went into Zapfino Extra Pro or Caflisch Pro were to be put into mimicing "ordinary" writing, then we'd see some different results. A few people have done "first generation" attempts, such as myself and Christian (Dear Sarah), but there are subsequent generations of OT scripts to come that will be truly scary in their ability to fool the Turing Testees.
Captured from commoncrawl.org on 27 Apr 2015. original URL