In July 1990, Sol Molkoff sent me a bundle of type samples, articles, and long letter.
They could have made an excellent book on Hebrew type.
I scan ans post the pages in this section.
| Attachment | Size |
|---|---|
| malkoff_3pg_letter.pdf | 467.44 KB |
In July 1990, Sol Molkoff sent me a bundle of type samples, articles, and long letter.
They could have made an excellent book on Hebrew type.
I scan ans post the pages in this section.
| Attachment | Size |
|---|---|
| malkoff_3pg_letter.pdf | 467.44 KB |
Bill,
Where can I see examples of Fred Smeijers' work?
hrant,
Arabic as a calligraphic or handwriting script is prone to this. For this reason, there are initial, medial, and final, forms to each letter.
If you look at Isamar David's fine book on Hebrew Letters, only a few of the typefaces presented contain "block" letters (each font is amazing), while the over-whelming majority of typefaces contain calligraphic forms. David was primarily a calligrapher first, and a master type designer second.
Sol Malkoff I believe worked with Lilly Wonker, who worked with Isamar David for years. Hence, we see David's influence upon Sol Malkoff.
Interestingly, we don't see this calligraphic influence by the works of Henri Friedlander, Eliyahu Koren, and Tzvi Narkis, the masters of modern Hebrew type design.
Captured from commoncrawl.org on 2 Apr 2015. original URL