Based on the form of the 'w', I'm going to guess that the particular cut was Fortune Light (later called Fortuna) by Bauer. Unfortunately, I can't find any online source; the medium weight is in the imports Appendix of McGrew.

The sans is just a bit rounder than Alternate Gothic (which was the original ATF condensed gothic designed to harmonize with Franklin), but I can't find the cut that nails it. There were an awful lot of these floating around then.

FWIW, the hand-drawn titling was extrapolated into a font called Fairy Tale by Jason Walcott.

The serif face is Volta, available from Elsner + Flake, and
the condensed sans is Franklin Gothic Extra Condensed.

Yves: I hate you. How could anyone be able to track down the exact cut of a '50s Clarendon revival? I am sure you must have made some sort of deal with the devil.

You can't imagine how fortunate you are to still have a reflection
in the mirror... It's been seven years since I last saw sunlight.