The Latin/non-Latin chasm isn’t really all that large: these whimsical little numbers are based on a Cyrillic design…

http://www.myfonts.com/fonts/nicksfonts/beagle-boyz-nf/
http://www.myfonts.com/fonts/nicksfonts/rimshot-nf/

If you can nail the original designer’s groove, you can develop a workmanlike font. Your /g/ is appealing in its quirkiness, but not nearly as much fun as the one in Beagle Boyz NF—IMHO/

Your first question: the stem endings of /p/ and /b/ almost always differ in a serif font. I don't see it as a problem in a sans-serif font either.

1. Variation like this is considered mild and often preferred for distinguishing glyphs that would otherwise be turned/flipped copies of each other. These letters have different histories manifesting in different expectations (for instance, the descender of |p| is more consistently expected to be straight) and it can be good to highlight these differences.

2. |a| is excellent.
|g| is nicely original but may appear to have an excess of loose ends; I suggest making the third from the top into a curve or corner.
The sharp beak of |e| is awkward, but might be saved with more adjustments of weight and proportion. Unfortunately a wavy crossbar such as this is seldom successful. The anthropomorphized smile of an |e| can contribute a lot to a typeface's "voice" and this shape creates a sort of sneer.

This is very interesting. I'll try to spend some time thinking about it before I reply in full.

BTW you might like to look at this recent -and very promising- work:
http://ohbendy.tumblr.com/post/33228601263/between-black-and-white

hhp

Applying other forms familiar to non-Latin type may help to inform this as well, for example, working with a vertical grid and thinking about type mirrored or from the perspective of right-to-left text, as you would when constructing Arabic or Hebrew letterforms.

These glyphs need a lot of work. The crossbar of the e looks childish to me. Interestingly your sketches look better than your vectors, it doesn't seem like you copied them that closely. For example, the top left corner of your g in your sketches seems to go almost as far to the left as the line that connects the bowls, and has a decent look to it, whereas in your vector, the line connecting the bowls seems to go way out in the middle of nowhere. Also, your sketched a has a nice sense of proportion between the bowl and the rest of the letter, but your vector a's bowl is much too big. I would try to get close to your original sketches, try to introduce just a little more thick/thin contrast, and round off the corners just a bit.

Not trying to be mean, just telling you how I see it.

Thank you so much it is really eye opening suggestions.
@cerulean , I see exactly the excess of loose ends of g will work on it .
@Harnt, Very interesting link . Nice discussion too. Just below GARDEN IMAGE it says making the letters stand alone, referring only to themselves. Mine is the opposite please see the Image below .
In my design I want to make the letters confident and yet selfless .Have you seen a bull fighter movement how the fighter bows and move his hand smoothly and doge the bull . I want to create same feel in each letter.
I am not exactly trying to apply non_Latin forms in Latin type face. I am experimenting to see when non Latin type face design/method and thinking applies to Latin letters . BTW this is my first Latin type face I always design Ethiopian type face . Thanks again

Why not just actually draw those lines, and have them connecting the way a script font does?

Because that would be as boring as it would be ugly?

hhp

Thanks Ryan, I like your critique. It helps me to see things which I have not seen .You are not mean at all .
It might be an option to connect them . But for this project (Since it will be used with many non Latin writing systems . I think the imaginary line(not connecting ) works better

In case it's not clear, the full quote is 'the countershapes in Helvetica are directed inwards (or at nothing), making the letters stand alone, referring only to themselves'. My aim was to draw shapes together, in contrast to Helvetica.

Hi! Bendy , Sorry not being clear I was using your reference to Helvetica. In fact what you have done :creating activity between letters is What I haven't seen before. I Think it will work well with non roman Writings .
Thanks