I like it, and I think you should amplify the organic aspect, like the flares.

Just one negative: it looks like it’s been mechanically stretched wider.

hhp

A new version with lots of improvements and some samples of the possibility to overlap the letters.

> samples of the possibility to overlap the letters.

Funny, I was trying this (see picture) out last week for my Ballpoint project.

—Jacques

Here is an update:
http://www.typografie.info/logot_new.gif

By the way:
Is there a list of common kerning pairs for Cyrillic?

Ralf

Ralf, that’s really coming along… good stuff. It seems really complete… the only thing that jumps out at me is the tildes and umlauts seem more prominent than the circumflexes and so on. Maybe it’s just an optical illusion… but looking at the A-tilde, it seems incredibly top-heavy.

I would not agree with your cyrillic “D” and “L”…trust me, I’m a Bulgarian. I’d rather use a rotated Roman “V” for the cyrillic capital “L”.

» I would not agree with your cyrillic “D” and “L”…

They are fine just as they are.



» I’d rather use a rotated Roman “V” for the cyrillic capital “L”.

…yes there are variations of this kind with these characters (D and L) in diferent cyrillic languages.