Typophile

Glyph components - L.C.D.

Dixon Yamada

There was a text on type design, Pretty sure I read it in PDF format, though not sure if it came from a book, or from a website, or a presentation or what.. And in this text was a picture of all the shapes you need to construct the basic latin alphabet, upper and lower case. Can't remember every shape that was there, but it wasn't more than a dozen or so. I remember it had the bowl shape, a straight line shape, tittle shapes, etc... The idea was, these are the only shapes you need. Of course this would result in a very homogenized font with no difference in shape between the b, d, p, and q, for example, but nevertheless, the shapes presented were the lowest common denominator for constructing a complete set of latin glyphs.

Anybody familiar with what I'm talking about? I have no idea where I saw this now and would like to read through it again and become more familiar with these "pieces"

Sounds like Gerard Unger's contribution to FUSE back in the nineties—a font composed of letter elements.

Could also be Tobias Frere-Jones's experimental thing, could be Catich, or Gürtler, or something much older, or... A bunch of people have done that sort of this (including me, for Armenian, in my early days). To me the best way to view them (at least in terms of type) is how an automotive engineer views an accident scene...

hhp

It might have been Tobias Frere-Jones rather than Unger in FUSE that I'm thinking of. I don't have any copies of FUSE, just going by memory from having seen Neville Brody talk about it recently.

No, Unger did have what you described, in Fuse; he's long been interested in breaking down letterforms into components (which you can see in many of his fonts - the ones with very thin connections). Tobias's thing was more organic, chirographic.

hhp

As far as I know, the least common denominator for unequivocal letter shapes is the eight line segments used by Nixie tubes. It was an efficient model, but didn't leave much room for stylistic variation.

In the pre-digital era, your 'components' was once called 'basic strokes'.

A few books you will enjoy:
- How to render Roman Letter Forms, by Tommy Thompson
- Lettering for Advertising, by Mortimer Leach
- Script Lettering for Artist, by Tommy Thompson

Captured from web.archive.org on 12 Jun 2012. view this capture