Gerard Unger's Swift is a trend setting typeface, marred only by its lack of a Bold Italic, like many other of Unger's type designs. Why did he choose not to design Bold Italics? Any ideas?
Gerard Unger's Swift is a trend setting typeface, marred only by its lack of a Bold Italic, like many other of Unger's type designs. Why did he choose not to design Bold Italics? Any ideas?
Hello Hashim, there's a bold italic here:
http://www.gerardunger.com/fontstore/store-swift.html
And as a type designer it's hell to make the bold itallic weight. Not only do you have to make adjustments from regular, but also count for all the changes of details and angels as well.
I wonder if the old masters felt the same (apart from the general opinion that body copy didn't needed a bold italic)?
Cheers/SH
Yves, we are converting our Hell Typefaces archive to OpenType. Most of those typefaces were designed by Hermann Zapf and Gerard Unger. Swift is just part of the general archive, whose fonts will now finally be available in OpenType. Unger's selling of Swift 2.0 is a separate enterprise.
On another note, there are several versions of many typeface families within the Linotype Library. Helvetica has Helvetica, Helvetica Neue, and Helvetica Linotype (OpenType fonts optimized for Office use). Palatino also has the old digital version, the Palatino Linotype done for Microsoft, and soon the new Palatino nova. When new releases of old fonts are brought into the library, the old ones normally stay in, too. There are still good typefaces, too.
As far as I can remember Gerard was quite unhappy with
Swift 1.0 - why is it being rereleased by Linotype while the
superior 2.0 is available from Unger himself?
The people from The Foundry are also being divas when it
comes to italic weights. Only Foundry Monoline has them
for other weights than Regular or Book. 
Captured from commoncrawl.org on 19 Apr 2015. original URL