
I'm curious about the origin of the different lowercase a's, as demonstrated in these examples. Does anyone know how we ended up with these two different shapes?
The "two-story" version (example the first) is more consistent with the Carolingian miniscule rendering of the letter a, while the "single-story" version (example the last) is consistent with everyday handwriting, at least as it was practiced under the Palmer method. The middle example extrapolates Palmer penmanship with sans-serif lettering.
Get your hands on a copy of Shapes for sounds by Timothy Donaldson. This book has some informative illustrations about the evolution of Latin letterforms.
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