Any suggestions for a cursive telephone symbol? Slanting it just doesn’t do the trick.
An icon of the whole telephone rather than just the handset would be more in line with the rectangular-block look of the other icons, and would probably also respond more noticeably to a perspective slant...? (Like the characters at Unicode 260E and 260F, http://unicode.org/charts/PDF/U2600.pdf)
Do they need to be line drawings? That style definitely looks retro.
Here are 2 sets of icons that include cell phones...
http://www.istockphoto.com/stock-illustration-8183121-satin-icons-commun...
http://www.istockphoto.com/stock-illustration-10273918-bluesico-set-11-n...
I'm not suggesting these sets are the best; they're just examples I found after a quick search.
> I've not seen a fax machine since 1995
They're still around, but not used nearly as much.
I used to send/receive them all the time, but these days my only client who still uses them is a large corporation that's quite modern in every other way, but for some reason they still send out their purchase orders by fax.
My answer would be mirror it. Then it's leaning to the right.
Legacy artifacts are a part of all language, verbal and visual. The classic receiver symbol is on the Call and End buttons of the iPhone's phone interface and of most dumb cell phones. I'll worry about the anachronism sometime after we stop calling it "dialing".
I don't think the symbols should be "italicized." That's for actual letters. Skewing the symbols looks amateurish to me, in general. And the examples you posted look hand-drawn, particularly the first three (probably because of the way the antialiasing made the lines thick and thin).
And the telephone image is très retro. More than half the telephones in the country are cell phones, and that particular handset goes back to the old hard bakelite General Electric things that Jon Voight used to kill the preacher in Midnight Cowboy.!
>> I've not seen a fax machine since 1995
>They're still around, but not used nearly as much.
We still use them, because our customers use them. (all my colour e-mail blasts have to be tested in greyscale to see what they will look like after our salespeople print them out and fax them along). Also, for billing, the fax has more legal standing than an e-mail, if a dispute comes to court. Not sure if this is just in Canada (or not even in Canada, but in one of the other countries we work in).
About the design. Italic symbols are fantastic. Great idea and great execution.
Why not?
The symbols aren't letters or numbers or any other textual character. They're images. Try this: set anything in Zapf Dingbats. Then italicize the line. Nothing happens. The font is designed not to be italicized. I tried it in InDesign. I had to apply a manual skew to the Zapf characters.
When image glyphs are slanted, they seem to be tilted in perspective, not just skewed. I don't see lines of type that way, unless the line tapers in some way (like the Superman nameplate on the comic strip or the narration to the first Star Wars movie).
If a matching aspect to italicising letters is at stake, pictorial/perspective is perhaps the most fitting. Why not? As it happens I’m designing a set of pictograms myself these days. First try:
This is coming out really funny with the phone handle.
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Outdated or not, this is what I still love most for any posting matters:
2706: Telephone receiver.
213B: Fax sign. This is supposed to be an alphabetic glyph that says "FAX" but I think function is more pertinent than form.
For the rest, PUA. I am not sure whether it is legally acceptable to imitate the PUA codepoints used by Microsoft's Wingdings, which uses F02A for an envelope and F03A for a computer. The "glyph order" is supposedly patented. It's probably not worth it anyway since it's still just PUA.
For my part, I already have been spending my time italicizing clouds.

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