Typophile

Custom typeface for books

ncaleffi

It is a common feature nowadays for type designers to create custom typefaces for corporate identity, logos, or newspapers. A less seen option seems to be making typefaces specifically for books/publishing houses. In Italy we've had the great example of the Garamond crafted in the 1950s by the Simoncini foundry for Einaudi publishing house (still the most used type in Italy's editorial market). More recently, type designer Luciano Perondi has designed a a Caslonesque custom face for the Mattioli 1885 edition:

And, even more recently, the same Perondi, a gifted Italian type designer, made another attempt with a Baskerville-inspired typeface for Voland, another Italian publishing house; this typeface will be officially launched tomorrow at the Turin bookfair, but I had the chance to see a copy of a new book set with it and, at a first glance, it indeed looks like a contemporary take on Baskerville. Here is a sample anyway:

Can someone else give more examples of custom typefaces made for publishing houses - meaning for setting long texts in novels, essays, poetry books and the likes?

And how do type designers consider being commissioned for a typeface meant for specific editorial (books) use?

Both Dan Carr's Parmenides Greek & Christopher Stinehour’s Diogenes Greek were commissioned by the printer Peter Koch for The Fragments of Parmenides.

While Stinehour’s design might be considered a display face for the purposes of your question, it was in fact used to set extended passages of Greek in Robert Bringhurst's The Old in Their Knowing.

Cf. John D. Berry, Preserving Ancient Wisdom with Age-Old Printing Techniques (2001).

Not on grounds of commission by a single publisher, but Andron has been intended for large-scale Werksatz (book composing) from the beginning. The Riksarkivet in Oslo, for instance, has produced some bulky volumes with it.

–› more examples
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Lucerna, commissioned for just one book:
http://www.sooyco.com/branding-with-type/lucerna-bible-font

As has been mentioned a couple times on this site, John Hudson is currently working on a commission for Brill. John, has this been used in print yet?

Cristóbal Henestrosa created Fondo exclusively for the Mexican publisher Fondo de Cultura Económica.

I'm surprised that they say that the Lucerna Bible Font "bears no similarity to" Veritas; to me, they looked very similar, having seen Veritas illustrated here, and the Lucerna Bible Font here.

If anything, it's ITC Giovanni that doesn't resemble either of them all that much.

Kent, the first few books using beta versions of the new Brill types have been published. The fonts will be released for non-commercial use by scholars and others next month.

That lowercase f on the Voland typeface is a tad on the puny side, no?

Andreas: You can say "The Riksarkiv" or "Riksarkivet". "The Riksarkivet" is a gross error :) The "et" ending means "the".

To be a tad more exact, '-et' in this case is a neuter definite article.

"The Riksarkiv" or "Riksarkivet". "The Riksarkivet" is a gross error :) The "et" ending means "the"

– thank you very much gentlemen for enlighten me upon Norwegian! Always something more to learn …

@ John: would you mind to give us a notice when something of the new Brill typography can be seen? Curious …

quadibloc wrote:

I'm surprised that they say that the Lucerna Bible Font "bears no similarity to" Veritas; to me, they looked very similar, having seen Veritas illustrated here, and the Lucerna Bible Font here.

If anything, it's ITC Giovanni that doesn't resemble either of them all that much.

That's a good point: there is little similarity in Lucerna to Veritas (as opposed to none); the two typefaces are closely related, as the design and thinking of Veritas laid the groundwork for Lucerna. (I amended my article to clarify).

Because the management of Tyndale preferred specific aspects of ITC Giovanni, we chose to emulate key design characteristics of Giovanni, which pleased the management team, and allowed us the freedom to do what we wanted with the rest of the glyphs.

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