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Shame on you.
Um, I confess to being blind about what was so disgusting about what I said. My post was intended as a lighthearted joke about us typophiles and our current debates about lettering experience and type design.
Apologies to anyone out there who took it as something more disrespectful than that.
Okay, now I'm more confused than when this started. If you ask a letter or calligrapher if what they do is typography, they will say no. If you ask a typesetter if a letterer is a typographer they also will say no. The downside to this line of reasoning is that if you ask a typesetter if they are a typographer, they would most likely say no(assuming that there are any still around). So, what does a typographer do?
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Terms in the lettering arts ( my attempt to grab all this and stuff it in a bag ) are and have been subject to change and inconsistency. I am not against trying to sort things out to make writing, especially academic writing, clearer. But I do think that given the actual historical legacy that you have be to settle for a potential improvement in clarity, particularly where the conversation is with lay people, or is pragmatic and business oriented as opposed to academic.
(I'll just carry on by myself here...)
So, I'm looking up the etymology of "typography" and "type". It's definitely is related to "printing" and "striking". I'm definitely leaning toward the opinion that lettering is not the same as or part of typography. Unfortunately, I don't think we have a word for the category that includes both, but I think that's what a lot of people take "typography" to mean.
@Tiffany: type vs. typography
Hm. Just went back and re-read that. I'm probably equating the two in my analogies.
I remember arguing that point with Hrant once on Typographica, that I thought lettering should be included under the tent of typography. Now I'm not so sure. If "typography" means "the craft and art of letter forms", then lettering should be included. If "typography" means "the craft and art of type", then, no.
Very late to the party, but I've been following this intermittently during a hectic week...
Along the lines of William's analogy:
Lettering is to typography what clay is to Lego™.
Also:
Lettering is to typography what illustration is to clip art.
These two analogies capture a lot of the differences in my mind. Also, I would include calligraphy in the same category with lettering. They are different, but in relation to typography I would group them together.
I still think some of you aren’t separating type from typography.
that's because the traditional definition ties typography to type specifically. if you want to use your own definition of what typography is, that's fine, but don't expect people who 'buy' the dictionary's definition to just accept what your concept of typography is or isn't.
Actually there are probably more books written by calligraphers every day than there are new releases by all the publishing companies in a decade. Granted they are small, but they are books, hand bound and beautifully written, calligraphed or lettered. I also point out the massive undertaking of the St John's Bible in Minnesota. The costs are astronomical. There are many lenghty hand written books in production and existing that would blow you away.
There is one gentleman, illiterate I might add, who copied the Bible in his own idiosyncratic handwriting style. The whole Bible mind you, and he could not read, but was so committed, that he copied it... word for word.
Michael
Tiffany, you're right, the letters are sculptures themselves. The key thing is whether you are building with 'prefab' letters--type--or sculpting the whole thing from scratch.
As usual, from scratch you have more flexibility and can do some amazing things, but it is hugely time consuming. Didn't Stanley Morrison say something about the whole thing about type being in 'multiplication'? And I think Matthew Carter always emphasizes that his core challenge is to make his type work beautifully when people have to throw a lot of it into a magazine or newspaper quickly, on deadline.
I think the only book that is hand written anymore is the Torah, but then the scribes think God demands it :)
Van Krimpen wrote somewhere that he didn't see the point of setting advertisements in type, because they could always be lettered better. He just left out the part about being better lettered by *him*.
Type is the first "modern convenience".
@Will - That is a nice analogy. But I maintain that as the lettering artist works they are kerning, spacing, line-spacing, column-width adjusting... albeit "on the fly".
I still think some of you aren't separating type from typography.
One could argue that typefaces are sculpture too, but I buy the sculptures pre-made and use them as they are. ;)
Ok. I've avoided this thread because for some reason I'm taking this all personally. Go figure.
I see typography as a set of rules (constraints, guides) that one applies to letters and words whether using type or lettering. Type is subject to the guides I choose (line length, word/line/letter spacing, size, etc). One can apply these same guides to lettering.
Chris said:
One is a one-time use, the other is a repurposing of a modular system of movable elements.
Yes!
Aegir said:
If I’m setting type on a computer, that’s typography, right? What if I draw my own ampersand to go with it? I’ve lettered the ampersand, but now it’s done I can treat it like type. Is the whole thing now lettering, or typography?
Well, I would call that typography and lettering.
okay, so if Steve Heller calls lettering 'anti-type typography', who am i to argue?
http://themoment.blogs.nytimes.com/2009/05/07/graphic-content-hand-lette...
I agree with Tiff. Lettering isn't typography, but that wasn't what was said originally; more that typography can include lettering, when you treat that lettering like type. Unless you're going to exclude everything that doesn't involve actual wood or metal type and bits of paper from the definition of typography, you're going to end up with a bit of uncertainty here and there. If I'm setting type on a computer, that's typography, right? What if I draw my own ampersand to go with it? I've lettered the ampersand, but now it's done I can treat it like type. Is the whole thing now lettering, or typography?
Is this the free will debate of the alphabetic arts, or should we just decide when to refer to things as typography or as being typographic?
--
Aegir
@ Michael:
"Maybe it is like reading... we do not read individual letters, rather we read words. I guess what I am saying is look at the whole."
Actually, this has been put to rest within the scientific community. We do not read word shapes. We do indeed read individual letters to recognize words. The "parallel processing model," or some variant thereof, is by far the theory best supported by experimental evidence.
Kevin Larson of the Advanced Reading group at Microsoft posted a very concise summary of the theories of reading, their experimental support, and references to all the studies on the Microsoft website. It is very illuminating on the subject....
Lettering and typography can share some usage in that they both attempt to present letterforms constructed as language and are meant to help convey content. One is a one-time use, the other is a repurposing of a modular system of movable elements. To create lettering, it takes a different kind of skill than it does to compose type. Part of this is technical in nature and part of this is a combination of skill, talent, and craft. The lettering artist can apply his skills to also be a typeface designer. A typographer can do the same but has more to learn about form creation to be successful(given he has the talent). I purposely omit the mention of tools since they have varied throughout the history of both disciplines (lettering being much older as well). Anyone has to learn the tools of his trade but learning the tools does not mean they will be applied to good end.
ChrisL
Aye, I think that one could find themselves in an awkward position, suppose, looking at a piece that incorporates Avant Garde shapes w/ fabricated flourishes, wanting to say "Hey, that's Avant Garde." In the case of the above link, it WAS Avante Garde before it was manipulated. As this was one of the top results running a flickr search of 'typography' I think an effort ought to be made to clarify, or attempt to prescribe, the meaning of the word 'typography'.
Oh, to address Eric's comment, I agree that typography and lettering mean different things, in case I haven't stressed that enough. Conflating the terms is wrong, especially if merely as a result of the word 'typography' sounding more impressive than 'lettering'. It's just that the boundaries are not clear-cut. It's possible to distinguish typography and lettering, while at the same time acknowledging all the grey areas.
I'm all for permissive rather than prescriptive use of language. Most of us here know what we would call typical, unambiguous examples of typography or lettering. Then there are all sorts of borderline cases as beautifully illustrated above. The disciplines have influenced each other plenty since the invention of type. With technological advances type is more and more able to imitate lettering, and in turn lettering may be used as elements in a typographical treatment.
As Miss Tiffany has pointed out, typography is itself a broad term, so there's more room for confusion. I think rather than try to rigorously define the terms for all situations, we should clarify what we mean by the different terms only when the need arises, and even then concede there are nebulous areas.
I agree with Michael. 'Typography' and 'Lettering' are separate entities. I think that portfolios call 'lettering' 'typography' because 'typography' has a sense of prestige imbued in it and 'lettering' sounds kind of kindergartner-ish.
Using type as a model for lettering does not make 'lettering' 'typography', that would be a misnomer. I think the easiness/popularity of outlining type and manipulating causes one to forget that the process of manipulating individual letterforms is lettering.
-Eric MacLeod
I understand your frustration Paul. It has been a bugaboo for many people and this thread has been a great dialogue. It points up the many points of confusion. As you said earlier, I too don't pay much attention to the verbiage. I just snicker and go about pleasing my clients as opposed to worrying about the arguments at hand. Just keep producing fonts of the quality of Zaner. Keep your head down and the mouth shut : ) Save the energy for your genius!
Michael
FWIW, when I think of a lettering artist I think of a person that can take a board and a brush and produce a convincing sign with a variety of styles.
When I think of a typographer I think of someone that can set a solid page of type and also choose a page size and type block size with good margins, make the type fit to a grid with a very good measure, and accommodate every possible scenario an editor might produce from about any sort of manuscript.
okay i can see your stance now, tiff. and i almost agree :^D
i think that in some cases lettering can be almost typographic in nature and when used together with actually type: sure i can lump that all together as typography.
i guess my problem is that i usually think of lettering as something more lively and less bound by a typographic structure. but as everyone else has said there are continua (i've never used that word before!) with these things so that the boundaries and definitions overlap. i'll concede your point.
Here's one that creates more mud.

This uses type and I'd qualify it as being more illustrative than typographic.
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