Sorry I couldn't make it to TypeCon. It would have been fun to meet all of you and learn some new things about type too.
I trust you are all having a good time.
I wonder how Gerald, Nick, and Hrant are doing hanging out together :-)
ChrisL
Yeah, those Linotype contest typefaces are wicked, aren't they? I can't get over that Pirouette (http://www.linotype.com/91918/pirouette-family.html) is Tatento's first typeface.
I wish that I were at TypeCon, too.
Even cooler than Pirouette and Picture Yourself, in my opinion, was Linotype's decision to fly the winners themselves (unfortunately, not all of the winners were able to attend) to SF, and put them up during the TypeCon week. It makes me kick myself for not having entered the ITDC 2003 contest myself (not that I have any designs that would have won anything...)
(Joe, your links in the above message don't take me anywhere
)
I think joseph link is http://www.linotype.com/6-2157-6/itdc2003winners.html
Btw, Pirouette is very nice and Bohemia (called Argot before) is very nice too and he is argentinian
))
Ale, I've been passing around copies of your slick Sudtipos catalogues and the response has been fantastic. I only wish I could have stuffed more of them in to my luggage to share with the TypeCon crowd down here. If anyone who was at TypeCon wasn't able to pick one up of these catalogues, send me an email and I'll see what I can do for you apr�s-con.
For better or worse, for me meatspace is much more docile than online fora. I got along with almost everybody - credit to them mostly. It was a really great conference - quite possibly the best ever I've been to - although it'll take weeks to see it objectively - as with anything so heady. It was great to be back. Special thanks to Tamye.
BTW, Miles, TC98 was special, wasn't it*. The giddy "exploring the unknown" delight is gone now, but in terms of value and pure rockin' fun 2004 rules bigtime, and apparently it gets better every year. Helsinki or New York... Now that's an open question.
* And talking to Stuart it's clear that feeling is pervasive - something magical happened back then. And maybe it was my imagination, but whenever two of us from the Old School (like Brian, Allen, Richard, James, Simon) eyed each other in SF we had this certain knowing, quiet smile. Bob was there too. But I guess this conference will generate its own nostalgia as well.
BTW, thanks to Jared and Joe (duh), Typophile was like a subcurrent running through the entire conference: most blind intros referenced this place, even particular threads! Major symbiosis. Or mutual parasitism. ;-)
hhp
Hrant, I felt similarly about last year's conference which was my first. Maybe the first TypeCon--whichever one it was--will always have a special quality that can't be repeated.
As far as meatspace vs. online goes, when you talk to someone in person, you have much less opportunity to be misunderstood because you not only get the words, you also get body language, facial expression, tone of voice, etc., and it's much harder to forget another person's humanity when they're standing right in front of you.
I think a good portion of what passes as debate online simply comes down to the difficulty of communicating through such a limited medium as text. They touched on this a bit in the Underware Typeradio presentation.
I just wanna say how great of an experience my first TypeCon was. It was truly amazing and so much more than I could have expected and I'm now 100% sure that I'm doing the right thing with going back to school to study type. The best part was meeting so many people -- now I can hear your voices narrating when I read your posts.
Much respect to eveyone involved with puting on the show.
After having such a great time in Minneapolis, I was really upset having to miss this year's event. I may be a mere type fan and not a type designer, but nobody seemed to care. There I was having lunch with Mark Simonson or playing hearts with Steven Coles or signing Dave Farey's programme... just a bunch of font-geeks hanging out and talking about their passion without having to explain that, yes, someone actually has to design all those little letters they read every day.
I can't miss two years in a row. See you in 2005.
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