I don't know much about the technical stuff, but I really like the look of this! I especially like the ss in "Quadraturerlass" for some reason. The "rprogn" in "Elementarprognose" create kind of an unusual rhythm, all of them hanging from a straight line on top, but it doesn't seem too disconnected from the rest of the text.

Making the connections meet halfway can result in some abruptly visible joins. As your design stands, I think you could eliminate many of the variant forms by having all low and middle connections extend entirely from the leading letter to disappear into the beginning(/low/middle) form of the following letter. The top connections should extend entirely from the top form of the following letter. A full set would still be needed for a few exceptional cases such as s.

That is a lively script! And bonus points for the ff ligature! ;^)

Hand-picked!

Great design.

To make it look more naturally handwritten, maybe the lowercase g and uppercase G should connect from the tail, not from the top. Also the lead into the lowercase e is often higher than where a handwritten e would start. In fact, could you just get rid of the top-ending glyphs? That would make it easier to lead naturally into the e's, n's, m's etc. and would make your life easier with the design!

tt ligature would also be a good addition I think.

Also, what do you plan to do with single capitals or text in all-caps? At the moment it looks like the caps are designed to join onto a lowercase letter but this might be a problem with acronyms.

Wow, you are creating an unique font.
the rythm it has is not very usual in fonts out there.
However, I believe that it is not easy to think its design the way you are thinking.
The connection meetings, being each character "active", could make the joins look weird sometimes.
I'd think of 2 solutions.
1. The hardest, maybe, is to design conflictive pairs in one glyph. (Then use the open type function of ligatures)
2. Changing the method: think of longer terminals, so you make the connections more credible and good looking. You will need at least 3 glyphs of each character. The a with the long (low) terminal, the a with the long (middle) terminal and the a for the long (high) terminal. With this I mean, It is easier to think of a script font when the connection of the two glyphs has an active and a passive protagonist.
The first glyph, the active; the second one the passive, who is "touched" by its neighbour terminal.

Hope this helps,
Best
Maximiliano R. Sproviero
Lián Types.-

Sorry to bump this old(er) thread, but I really like this design! The only thing that I found 'uncomfortable' is the tail/connection of the z.