Typophile

My Favorite Font: Helvetica

kak762

Helvetica, a reworking of the typeface Neue Haas Grotesk, was designed in 1957 by Max Miedinger with Edward Hoffmann in Switzerland. It was originally created to compete with another sans-serif typeface, Akzidenz Grotesk, and quickly succeeded in becoming one of the world's most popular typefaces. Helvetica is perhaps the most widely used typeface in signage and logos. Its large x-height and easy legibility makes it ideal to use on street signs and in the corporate world of advertisement. Helvetica is also responsible for furthering the popularity of sans-serif typefaces, which were just beginning to be used around the time of its creation.

When I choose a typeface to use in a project, I consider two things: the first is the purpose of the project and the second is legibility. Maybe its from growing up with two parents who are doctors and have horrible doctor's handwriting, but I hate having to work to make out what something says. I think that if a designer takes the time to write something (and this of course has exceptions depending on the purpose of the project) it should be able to be easily read by anyone who can read. And even for people who can't read, it should look aesthetically pleasing to the eye, as if it belongs on that street sign, label, heading, or billboard.

Helvetica fills all of these criteria for me. The fact that it has so many different styles within its family makes it useable on almost anything modern. It is possible to make a design project incredibly interesting while using only Helvetica because of its many styles. I also like that it is clean, modern, and easily readable. Because I use Helvetica so much in my projects, I try not to go to it first when I am choosing a typeface. However, it is comforting knowing that it is there and almost always sure to work if nothing else does. I guess you could call Helvetica my safety net. If I had to pick a favorite letter in this typeface, I guess it would be “S” because of its clean, curvey lines. It just seems like a good example to me of how clean this typeface actually is.

The only style of Helvetica that actually works is the hairline, and of course only at very large sizes.

hhp

I've seen some pretty good work done with Helvetica, so I wouldn't say I agree with Hrant. Still, I don't like the squareness of it. The "s" migt be the best example of what I don't like about Helvetica.

I posted this blog back at the beginning of the semester and have since been introduced to other sans serif fonts that I've ended up liking more than Helvetica. However, I agree with Frode Frank in that some pretty cool stuff can be done with Helvetica. As I stated above, I am particularly attracted to its versatility. However, I am still in school, so I am still learning about what exactly makes a good and effective font. Thanks for the comments!!

What's the other font?

hhp

Do you mean the ones I was introduced to or the other font in the picture? (If the one in the picture, honestly I'm really not sure. Found it on Google and thought it was really neat.)

My favorite thing about Helvetica has to be the "a". I feel that Helvetica has this integrity that Arial doesn't possess and for me, the letter "a" embodies everything that makes Helvetica great.

FWIW, some people feel that the tail of Helvetica's "a" is one of the font's weakest features. I personally think the upturn in the middle horizontal is worse. If memory serves both those were fixed in Unica. But frankly those flaws pale in comparison to the font's overall horrid tightness. GGL's characterization of Helvetica remains the most apt I think (although Spiekermann has done a great job of that too).

hhp

Do someone know in which museum are the original Haas-Grotesk master drawings?

Someone once told me to ignore everything that hrant says.
Now I understand why...

I guess beziers feel less "special" now...

hhp

“Someone once told me to ignore everything that hrant says.” Bad advice. Hrant has a lot of knowledge.

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