Typophile

Building Signage to "Match" with Historical Lettering

aericks

Hi all — I’ve been tasked at my job to come up with a building signage package for a project we’re working on. My type skills are a bit rusty and I could use some thoughts. The only lettering on the building is shown in this photo. It’s cast metal lettering done in the late 1920s.

I see it as a sort of middle ground between a serif and a sans-serif, slightly whimsical but clean and modern. The building has very clean lines and few ornaments. Our historican calls it the “half-modern” style.

My sense is that this type over the door should be singular and all signage should pay respects to this without mimicry. I’ve been looking at modern, clean, sans-serifs for the majority of the signage. Most of the signs will be regulatory and identifying (tenant names, room identification, stairwell identification, etc.) but there may be some lengthier “exhibit” signage which talks about the history of the building. For that, I’ve been considering a serif header with sans-serif body but maybe the reverse would be best.

In any case, would love some brainstorms on fonts that you feel “go” with this sign.

thanks,
Amanda

*deleted*

Hey, is that downtown Portland? I remember when the Meier & Frank store was still around.

If you want something very close to that lettering then you might try Tobias Frere-Jones’s Grand Central:

http://www.fontbureau.com/fonts/GrandCentral

Same period flavor. But might be too close without being identical, and therefore a clash.

— K.

EDIT: Oops! Scooped by Stewf. Took too long typing.

Oh, that Grand Central is beautiful!

To be clear, I’m looking for complementary fonts as well. I’ve found that some beautiful sans-serif fonts look a little too sterile and others look a little too whimsical so any good ideas there would be welcome.

Hey, kentlew — yes, in Portland but not the downtown location, it’s in Northwest.

A “high-waisted” sans serif of similar vintage, such as Venus, recently remade by dberlow as Vonnes, would certainly give you enough styles to play with.

That’s a great one, Nick. Too bad it’s not yet available (I’ve emailed to find out when). I really like your detail about “high waisted” — that might be something I can look for in a match and would not have thought of otherwise.

Would something like Anisette Petite or Anisette be too modern?

Also high-waisted but perhaps too condensed and casual: Binner Gothic.

Sorry, I didn’t realize Vonnes was pending, although I can sympathize, having a few such myself.
There’s always the original Venus.

Something about that Venus is not as appealing to me. Maybe I like the rounded letters more in Vonnes? It has a nice balance and rhythm to it.

Thanks for the other suggestions, I think Anisette is too contemporary and Binner Gothic too memorable and distinctive. This face needs to step back a bit and also be timeless.

Captured from web.archive.org on 24 Sep 2008. view this capture