Is there any type of consensus as to the most classically elegant and luxurious fonts created?
Yeah... and Enshede's www.teff.nl
Héctor
>Is there any type of consensus
The answer to that would be no--on almost every topic, including type. However, judging by revivals, the variations on Garamond seem to be the most numerous. Other names that have become classics or standards that are still used widely: Jenson, Griffo (Bembo), Caslon, Baskerville, Didot, Bodoni.
If ‘luxury’ is something ostentatious, opulent and lavish; a disproportionate expense that is made just for fun & pomp – then I don’t agree that TEFF & DTL are luxurious. Well, their pricing is quite high and thus their fonts sometimes seem to be unattainable; but ‘expensive’ is not the same as ‘luxurious’, is it?
Go to a Dutch bookstore and sift through a couple of books (or news papers!) … do you really think all of them that are set in Lexicon or Haarlemmer convey a touch of luxury?
If you meant purchasing the TEFF library and then not using it (“only to look at”), then I have to agree; that would be very luxurious!
Captured from commoncrawl.org on 21 Apr 2015. original URL