For a project I am on, I would like to use the Swift from Gerard Unger. Now I saw that he has made two versions, one sold by Elsner & Flake and one by Linotype?
Which one is the best?
Thank you very much,
Nicolien
I didn't realize there was a difference in the number of weights.
The fact that Unger is indeed a "proven talent" is certainly a positive, but wasn't he that when he made the original Swift? How much can you improve an already superb font without making drastic changes? And are individuals not susceptible to versionitis?
hhp
The fact that Unger is indeed a "proven talent" is certainly a positive, but wasn't he that when he made the original Swift? How much can you improve an already superb font without making drastic changes? And are individuals not susceptible to versionitis?
Did Gerard personally digitise or directly oversee the manufacture the original Swift? I doubt it. Swift 2.0, apart from the obvious benefit of the extension of the range of weights, might be likened to a 'director's cut': you're getting Swift the way the creator of Swift wants you to have it. This is not to say that some people might not be perfectly happy with the earlier version, or even prefer it. However, if I wanted Swift for a job, and the budget permitted, I would go for Gerard's version. Among other (non-drastic) changes, I believe the spacing is improved.
The 2.0 version is he most complete and looks very good to me. I ordered it today. I have seen an readingtest from the site of Gerard Unger (http://www.gerardunger.com/fontstore/store-howto.html) and it looks great.
As Hrant says an PS version is in my case the best I think. I have been told that in mei this year the OT font is coming up but unfortunately I can't wait for that. The project is starting soon where I am working on.
Thanks everybody for thinking with me.
Nicolien
>From what I understand the improved version is only slightly better overall.
In some way this is a great compliment! Gerard Unger Swift 1. 2. 3. 4. whatsoever how they are digitized are so good, that in any case you got already excellence in typeface design. :-)
(not a joke, I truly think what I say)
>How much can you improve an already superb font without making drastic changes?
Here are a couple of other improved versions. The refinements in Minion Pro, compared to Minion, to me made a big difference, even though they are minute. The serifs are a little bit heavier and the round letters narrower.
The big Optima Nova project I think is wonderful. It really improved the weight of Optima for digital setting. I don't know about the other re-dos for Linotype, such as by Frutiger; it would be interesting to have somebody to do a survey of these 'second time around' efforts. My guess would be that they would be significant improvements.
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