Typophile

node 3978

unknown

Interesting article in today’s Guardian about Kubrick�s archive.


quote:

�It's Futura Extra Bold,� explains Tony. �It was Stanley's favourite typeface. It's sans serif. He liked Helvetica and Univers, too. Clean and elegant.�

�Is this the kind of thing you and Kubrick used to discuss?� I ask.

�God, yes,� says Tony. �Sometimes late into the night. I was always trying to persuade him to turn away from them. But he was wedded to his sans serifs.�

Tony goes to his bookshelf and brings down a number of volumes full of examples of typefaces, the kind of volumes he and Kubrick used to study, and he shows them to me. �I did once get him to admit the beauty of Bembo,� he adds, �a serif.�


unknown

Thanks for the link Robin: that is a fascinating article. The author, Jon Ronson, also wrote one of the most interesting, disturbing yet hilarious books I read last year: Them.

unknown

It's easy but surprising to overlook the extent to which Kubrick has contributed to my own visual aesthetic. I've recommended display-sized Futura to two separate clients in the last 6 months, and pounded one marketing manager with a femur.

unknown

John Hudson: I have seen this book, and it really caught my eye, is it worth the read?
IS it REALLY disturbing (because I cant handle such). A cool concept though.

unknown

Them is more funny than disturbing, and probably also more sad. I really recommend it.

Captured from web.archive.org on 18 May 2005. view this capture