You could always try swapping one of your jobs for a job at a local print shop that does in-house design, and see what layout work they’ll let you do. It’s a start.

I would recommend trying to create facsimiles of exemplary printed specimens.
For instance, the introductory editorial from the first day of The Observer, Sunday, December 4, 1791.
The distance from rule to rule is 16 picas, 10 pts.

wow! thanks guys for the comments!
James, I was working in the print shop before but then I quit! because I really need to find better payment job because they paid me quite little :/ and I need to paid my loans too...

Nick, wow! thanks for the graphics! sure I will try it :)
by the way,where I can find it online that kind of old type images? because I am also think to make sort of kind of journal but most of the letters from old newspaper/magazines
I tried ebay but I don’t have much luck.

There must be some “old paper” stores in town.
Often comic book stores have old magazines, and many second-hand and antique stores have a few old printed pieces.
The thing about the old printed pieces is that they’re from the pre-digital era, so the technology and fonts don’t match exactly, and trying to create a facsimile digitally will always require a lot of “massaging” — you really have to look hard to see just what the spacing is like, and fiddle with things like tracking, justification settings, maybe even kerning and horizontal scaling, to get the text to break in the same places, and it is this difficulty which will sharpen your eye and typesetting skills.

yup! I totally get it what are you saying Nick! I am starting doing it now!

thanks a lot

I came into being a graphic artist through the back door — working in a print shop. I started out as a pressman, but that job doing paste-up and mechanicals looked a whole more interesting, not to mention cleaner.

Once I managed to finagle my way into that one-man department, I began to teach myself by reading whatever I could find on type and design. I then took the approach Nick speaks of: I would see old and new printed pieces that I liked, and then would go about duplicating them. I learned a lot about type that way.

I was quite content doing that for a while, but fortunately, one of our more savvy press-ready clients came into the back of the shop one day and saw my stuff hanging on the wall, and said “You don’t belong here...you need to be in a graphics house.” Thus my careeer was born.

So even if that print job pays less, it might be worth it to find a way to work there.