A highlight of the ICTVC conference (for me at least) was getting hands-on on the OLPC (One Laptop Per Child) www.laptop.org, a pic of Candara on the device...
and many others uploaded by Alex... http://photos.zvr.gr/main.php?g2_itemId=717&g2_page=1
A highlight of the ICTVC conference (for me at least) was getting hands-on on the OLPC (One Laptop Per Child) www.laptop.org, a pic of Candara on the device...
and many others uploaded by Alex... http://photos.zvr.gr/main.php?g2_itemId=717&g2_page=1
The caption to these photos reads
Photos about typography on the 200dpi OLPC screen.
200dpi
This was news to me, because I guess I hadn’t been paying much attention to the display side of the OLPC story. Oh, and apparently the subpixel stripes are diagonal. Very cool.
This rather supports the theory that the reason screen displays have not improved in resolution as anticipated ten years ago is that most commercial software doesn’t scale well, not because of inherent difficulty or cost in making higher resolution screens.
Nice.
200dpi? Wow. Can we get some really good macro shots?
But what’s cool about a diagonal subpixel stripe?
Who makes 45-degree Italics? :-) To me it seems
like a concession to images (think of TVs).
> This rather supports the theory that ...
Nah. The commercial software would have scaled well if there was a financial incentive. This instead is evidence that the reason we haven’t had hi-res screens is simply that there’s no money in it - people don’t want to pay for readability, because they don’t really grasp what readability is (since, unlike legibility*, it’s subconscious). The telling difference between OLPC and the commercial world is that the former has a philanthropic core...
* Think 1-bit sans letterforms.
hhp
But what’s cool about a diagonal subpixel stripe?
Uniform x and y direction resolution enhancement. It happens that Latin italics tend to have slant angles that benefit particularly from vertical subpixel stripes, but there are other aspects of Latin letterforms that do not benefit from that arrangement, and then of course there is the whole wide world of other writing systems in which there is a great diversity of strokes and bowls to be accomodated. Providing uniform x and y resolution enhancement accomodates more things better than x direction only. The rendering of Latin italics might not be as good — but at 200 dpi, who is going to notice? —, but many other things should be better (Arabic, for example, and other writing systems with strong horizontal features and shallow curves).
> Providing uniform x and y resolution enhancement
> accomodates more things better than x direction only.
I’m not sure.
Do note that most “writing” is horizontal (in more ways than one).
My gut feeling is that uniformity is a lost opportunity.
But my gut has been wrong before.
> I didn’t say it did.
I didn’t say you did. :-) Simon did.
But especially since the subpixels are on a diagonal there’s no indication as to how it’s really being measured. Also, I’m confused about this monochrome/color difference, especially when it comes to factoring in the subpixeling...
hhp
Simon, wouldn’t this
http://typophile.com/node/34304 _
be another route?
hhp
Captured from web.archive.org on 23 Jun 2008. view this capture