Typophile

Q vs. O

Daniel Denk

I’ve come across an interesting typographical dillema in the face I’m creating - which happens to be a ’pixel-font’.

The typical thing to do, would be to size the Q and O characters proportionally the same in the grid, simply adding any variation of the cross-bar below to make the Q. The thing that I’m finding, however, is that if I extend the Q character one additional pixel, the cross-bar [at the corner] appears ’aesthetically correct’, even though the two characters are now proportionally distinct.

I guess then, I’m wondering if anyone can offer their feedback - opinions toward to what extent should we feel it necessary to break certain rules in favor of the aesthetic? Or, would making such changes be a severe no-no in your opinions?

And - in referencing some typefaces that are centuries old - it appears that a distinct Q was often used that was non-proportional to the O character. Thus, is there really a ’rule’ afterall, if one can reference typography of the past?

(Perhaps I’m over-thinking this issue?)

Break the rule. With a sledgehammer.
Only the colder end of the display face spectrum needs that level of “consistency”.

BTW, you really should look at the “Q” in the context of the “U”/”u”.

hhp

Thanks for that vote of confidence, Hrant. I’ve been killing myself over trying to determine whether to go with my gut intuition in this case and stick with the aesthetic that was ’working’ - or conceed to the ’rules’.

One of the environmental procedures I’ve been incorporating in the testing phases of these typefaces - is to use them in a Win 98 theme. (Yes, I’m Windoze.) That&#821

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