Hi,
I’m looking for a good Victorian typeface that isn’t too decorative or too strict... somewhere in the middle... Can’t look too heavy in black... Any suggestions?
-t
Actually, University Roman is neither a Victorian face nor a 70s face. It’s based on a face called Stunt Roman, from the Speedball Textbooks by Ross George, which appeared in several editions from the 1920s on. In the 13th edition (ca 1938, the earliest I have), it looked like this...

By the 20th edition (issued 1960; reprinted 1965 & 1972), a number of the quirks had been smoothed out, and it looked alot more like the face we’ve come to know as University Roman.
This makes sense—sort of—as lettering. Since the letterer can alter the swashes and proportions at will, they perhaps can make the ’stunt’ work for a few words.
The ’stunt’ is to have extremely wide round letters and extremely narrow straight letters. Ungainly proportions. Then throw on the swashes.
I don’t think it ever worked as a font.
Like others who frequent these boards I have feelings about type the way most people do about other people.
Not very rational but:
ITC Garamond I actually think can look good in display, though it is bad in text. I think Tony Stan drew type well, including American Typewriter and Berkeley. So kill me.
Souvenir I think is all around a very good face. It just has a softness that is out of fashion—or it it coming back?
Korinna I don’t know.
University Roman they should kill and put a stake through its heart, before it can extend its evil tendrils further :)
Edit: Nick, looking at the numerals, I see they don’t suffer from the truly ungainly proportions of the rest.
To get back on track a bit, Carter & Cone’s Monticello is a sort-of-scotch roman & much better rendered than the various PostScript Caledonia’s & Linotype Scotch Roman for setting text.
Princeton commissioned the digital Monticello (non-exclusive). I believe you can buy it from Linotype as well, but in the early days at least, it didn’t have the full character compliment that the fonts from Carter & Cone had. Besides, one should support the small foundries.
If if bothers you that Monticello is derived from a Binney & Ronaldson (i.e., American) typeface, then use one of the horrible PostScript Scotch romans — just remember that B&R were good thieves, so I’d say it is a “name thing.”
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