http://i157.photobucket.com/albums/t74/sleestack2/148426003_e61f1da5db_o...
Im looking for a font that looks like the one that reads Lumiere on this box.
Thanks
http://i157.photobucket.com/albums/t74/sleestack2/148426003_e61f1da5db_o...
Im looking for a font that looks like the one that reads Lumiere on this box.
Thanks
That's a beautiful box. Is it yours?
Ideas: URW Wood Type, Cactus Flower, Buckhorn. You could add a simple line shadow to any of these.
What about the 'Madame'?
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http://www.linotype.com/1201/madame-family.html
One of my favorites for this kind of type has always been Solotype. Way back in the day, before digital type, Dan Solo's company created custom display type to customer's specifications. They would also take off time every year to travel the world and add to their collection, which is massive. Several years ago Dover published a catalog of their specimens. It's worth the 10 or 20 bucks to get one. Thankfully they started digitizing their specimens a few years ago. They may have the exact font you are looking for. There was a link on their MyFonts page that was very close:
http://www.myfonts.com/fonts/solotype/quadrille-2
To get that distressed/aged look, I tweak the outlines in Illustrator and then grunge it in Photoshop, sometimes using filters like Machine Wash.
I should have checked Stephen Coles' post first. His suggestion of Buckhorn is closer than Quadrille. But definately checkout Mr. Retro's Machine Wash filters for getting that aged look.
http://www.mrretro.com/image_filters.html
Click on test drive to see samples.
Sadly, a lot of it was made into ammunition for Civil War reenactments. No joke.
For Heaven’s sake, don’t mention such horrors! I’ll be having nightmares for a month about slackjawed war buffs denying amazing letterpress types to future generations.
Even if we could take back those bullets and turn them into type once again, we'd have no place to put the sorts: all the cases were bought by antique dealers and interior decorators to fill up with little doo-dahs and hang on walls . . .
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