Neville's conversion to the mainstream is now complete... :-)
This is a bit surprising. Wasn't Times Classic done pretty recently? What does Times Modern look like? Who actually made the new font? I mean the body face. I have a hunch that only the headline font has been replaced.
BTW, "The Times is the only newspaper to create and use bespoke fonts, all other UK newspapers purchase ready-to-use fonts" is of course codswallop.
hhp
>What is a bespoke font?
You're right and not alone, though I didn't realise it wasn't a common term.
http://typophile.com/node/29360
Tim
I thought the Guardian redesign was rubbish at the time but I've gotten used to it. I felt the same way about the Times when they turned into a tabloid but that didn't affect me much since that's my dad's paper not mine, and my Mum is a Daily Mail reader through and through, I could just die of embarrassment! I saw the Times today and it was the same as it's been. The new design certainly is subtle!
It did: "Twenty-three year old Prowse has created the new Times Modern headline font for the newspaper."
I'm not seeking any glory, and the truth always outs anyway. It also erroneously claimed that it is the only paper with a bespoke font, which is obviously ridiculous. I've done my best and I'm very much looking forward to all criticism, positive and positive.
Luke, great of you to jump in. Always nice to
hear from the person who actually did the work... :-)
Crediting: yes, it's in there, but definitely... inconspicuous. Reminds of the time House Industries pretty much hid John Butler's name from the announcement of their OT releases, and the time Emigre did the same with Adam Twardoch (which is especially ironic in light of their epic font use crediting crusades).
BTW, can we get some good scans of the current The Times, before it's too late?
hhp
Crediting: It's a branding thing. The key brands are Brody (much higher brand-recognition than "Research Studios" - sorry that's just a dull name) and The Times (more brand-recognition than News Corp) - so having said that it's very nice to see the actual people responsible mentioned in the PR.
PS...
>1) Design Team
The Times: Ben Preston, David Driver, Mike Prowse, Chris Davalle, Kathleen Wyatt Research Studios: Neville Brody, Jon Hill, Luke Prowse
Is that your dad? ;-)
The only Prowse I'm familar with is David Prowse... http://www.darthvader-starwars.com/ who's most famous line is of course "Luke, I'm your father" ;-)
Back on topic...
http://www.timesonline.co.uk/article/0,,542-2461262,00.html
and
http://www.timesonline.co.uk/article/0,,6-2457539,00.html
I like this bit...
"We have cut our own type, and engraved the lion and the unicorn. It would have been simpler and cheaper to buy new computer type off the shelf. But that is not Times style. We lead from the front, in the continual quest to spread the word as fast and as clearly as possible."
...glad they're not putting on too much pressure ;-)
You can also Ask Neville Questions
Nevermind, found some at the reliable Newsdesigner.com.
Luke - My reaction after seeing just a couple onscreen samples is that the headline font is a nice clean redraw of Times Classic. Well done. But the new face doesn't work nearly as well for the nameplate, where the wedge serifs are far too facile in those very large all-caps. Can you tell us about the decision to drop the subtle curves in the brackets there?
Wot, no mention of Gunnlaugur Briem?
ƒ
Stephen --
The masthead went through many, many variations. The original type inspiration derived from an old mid-50's berthold wolpe masthead with strong, triangular serifs that I pushed very hard for. It was felt too 'masculine', and the lack of brackets caused much consternation. We tried everything from the delicate curve to the bracketless wedge, and in true committee style, it ended in middle-ground, and with the serifs reduced in weight. The masthead is based on the headline font, but is significantly different in detailing.
So it is only the heading face that has changed. I think that's good news, because the existing one is great, and it's not nice seeing a body face replaced that often. That "after 221 years" bit is just more spin of course. I did enjoy Ellis's elaboration on the coat of arms though. Plus it's nice to see mention of logography - the idea only failed because the compositor's union sabotaged it. With logography Latin might have become something richer, since it's an idea that naturally lends itself to ligation.
Coming to the design itself, I actually rather like the masthead. It has a nice newsy edge to it. On the other hand I confess to being a sucker for the wedge serif! As for the headline face itself, I'd really like to see a PDF. Luke, tell them to submit to newseum.org! From the onscreen renditions it looks maybe a bit too "emotional", with the high contrast and cupped serifs - but I guess that's what a newspaper needs to be these days. BTW, it also seems to have a certain Dutch flavor, which is both good and bad I guess.
> I see Luke gets a nod at the banner.
And a slightly better mention in this new article.
hhp
The name Times Modern seems familiar:
http://www.fonts-online.com/font/3051/EF-Times-Modern-Regular-font.html
Times New Modern? Thymes Modern? :-)
Thanks for finding this Simon. "We lead from the front, in the continual quest to spread the word as fast and as clearly as possible.”
A no bull goal I'd say.
Good work on the Times, I like to hear when people decide on things and then do it.
Hrant: " logography - the idea only failed because the compositor’s union sabotaged it. With logography Latin might have become something richer, since it’s an idea that naturally lends itself to ligation."
Thanks for not being there to change history. Besides, I think it might have failed for other reasons too but it sounds like another thread, just like another thread. ;)
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