I'll start: Braganza ITC.
It's definitely nerdy. What else is new around here?
But maybe one actually useful thing that can (more like might, eventually) come out of this thread is the realization that we don't use the hyphen enough; we're obsessed with fusing words - we think we're being efficient and/or modern - but in reality we're often reducing readability. Favorite example: readjust.
And once we realize that, this thread might then become more relevant! :-)
But really, in any case, half our story is minding the details.
hhp
Here's one of mine that I particularly like:


I'm not deadly serious with this thread, but my interest in your thoughts is genuine. Here's what led to the question: I am considering a wordmark design for a company that has a prefix as its entire name. I was thinking of using a crisp sans for the letters, but something more lively than a rectangle for the hyphen (which then might also serve by itself as a logo). This got me looking through the fonts on my computer, and I was surprised to find so few that were interesting.
@WurdBendur: I like it.
> using a crisp sans for the letters, but something more lively than a rectangle for the hyphen
The risk however is for the hyphen to drop out of a "reading" of the logo because it's so different in style, since it's an "outsider" character anyway. I think it can be done, you just have to be careful.
hhp
>What's your favorite hyphen?
Here's mine... http://www.hyphenpress.co.uk/
This one could be fun...
http://www.pubcrawler.com/Template/dsp_restaurant_zoom.cfm/flat/ID=170755
In Germany hyphens are illegal...
Too funny, Nick!
Anyways, my pick.
>> using a crisp sans for the letters, but something more lively than a rectangle for the hyphen
>The risk however is for the hyphen to drop out of a “reading” of the logo because it’s so different in style, since it’s an “outsider” character anyway. I think it can be done, you just have to be careful.
I tried to be careful and here is the result:

Opinions welcome.
The proportions and spacing of hyphens are more critical than the plainness of their shape.
Here's a thought (for OT font developers), and it could also be applied to the spacing of punctuation:
Have two identical-glyph hyphen characters, but kern them differently.
That way you can use one for regular combinations, and the other for problem combinations such as Y-T, in the case feature perhaps.
Captured from commoncrawl.org on 27 Apr 2015. original URL