The people I’ve spoken to (including myself) missed* the auction last year. But being involved in TypeCon and attending ATypI I realize that it’s a very difficult balancing act to do it properly, and raise money for the organization. For every good auction I could name two that fell flat.
*Edit, “missed” there being an auction, as there wasn’t one ;-)
In San Francisco, I found a copy of Big Red in one of the antique stores. I told Dave about it and we went over and he bought it for $175. A great price for Big Red. Anyway, he put that up for auction asking an opening bid of $175. NO ONE bid on it! He took it off the table, and not wanting to bring it back to England (he already had a copy) offered to sell it to me. I accepted.
In order to have a good auction, you need people willing to spend some money. That is not been my experience with the TypeCon auctions.
I should add that I *used* to find more stuff I wanted, but then I acquired the stuff I really wanted, and now I’m mostly done. I guess I’m just not a good enough consumer. :/
Though I’m still interested in ATF specimen books *prior* to the 1912 one, come to think of it. (Not counting the 1905 ornaments and borders book.)
T
I have never been one to collect antiques so I guess I am not the kind of person who is looking for things of historic value or collectables. I am more interested in very well done typography even if it is recent. I am also interested in information, technical, historical, or scientific, which relates to typography, type design, readability, linguistics and the history of letterforms and scripts. I would be interested in a copy of Miles Tinker’s “Legibility of Print” since I can’t seem to find it.
Since I have never witnessed an auction of any kind. I really don’t know what to expect. I might be just as happy with a yard sale style of thing.
ChrisL
>What kinds of things have gone under the hammer in the past?
Typing ‘typecon auction’ into the search engines results in quite a good overview of what’s up for grabs, basically old type specimens, ephemera, font packs, design magazines, posters, t-shirts, signed-books, old books, film strips, discs, wood type, John Downer hand painted banners, old signs, David Lemon’s Pokemon keyring, etc., you known the normal stuff that occupies the shoeboxes and bookcases of the typorati.
Simon I think you need to officially add that word — Typorati — to the wiki. ;^)
In SF I got a profusely autographed copy of John Berry’s “Contemporary Newspaper Design” for pretty much retail price. And I donated something: tragicomically pretentious letterpress “Don’t Mention It” cards* that I’d printed like two days before the conference. I’m not a big auction buyer by any means, but at ATypI I’ve bought: old issues of TypeLab; Fiona Ross’s book; and a tight little Soviet lettering booklet. Oh, and I donated a German-Tibetan dictionary at ATypI-Leipzig (and I’m still dying to find out who ended up with it). So clearly I think these auctions are worthwhile. Just not worth 5 hours.
* You send them in the true bourgeois spirit of oneupmanship in response to a “Thank You” card. :-)
BTW, I totally agree with David Berlow that TypeCon must
not loose sight of its sort of “blue collar”, populist essence.
The Nikko was a mistake.
hhp
Actually, does anybody want spill some beans about this years event ( T party ) ?
Or speculate about what will happen there?
The web site http://www.typecon.com/ hasn’t got any new info on it yet and I an unaccountably itching for new info.
Know what this is? ( Here is hoping the emoticon makes it… )
:-p @>
It’s me eating some Toscannini’s burnt caramel icecream.
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