I just saw Tankard’s Bliss in a newspaper ad and it reminded me again how important Edward Johnston’s Railway type (1916) has been to the sans world. It’s easy to forget that Gill Sans got 95% of its genetic material from Johnston, and that Johnston preceded Futura by 12 years. I can’t think of any sans of note that predated it except Akzidenz Grotesk. Even though Johnston was not available as a commercial face for more than 80 years (ITC Johnston, 1999) its influence was immediate and worldwide – since, then and now, many of the world’s educated people seem to pass through London. Johnston’s influence can even be seen in Clearview, coming soon to a road sign near you if you live in N. America. P22’s London Underground is faithful to Johnston’s original and has some cool extras, but also has a very restrictive license.
