Hmmm… tough one. The serifs are Latin, but the character shapes are anything but. I wouldn’t know if there’s anything similar.

I’d license any heavy face with small-ish serifs (latin or not), as long as the basic forms mixed with the logo well enough. That “C,” with it’s flat horizontals, is the distinctive feature that I get hung up on most. If it weren’t for that, almost any woodtype-inspired display face would do…

I think we all know what Dan’s doing right now. ;)

Oh, Terry, were what I were doing right now that cool…

OK, I take that back. Type hunting is almost as fun as drinking. I should combine the two. But it will have to be longdrinks; I’m out of beer.

TF Margate is not very close, not so wide and without those serifs and that kind of “C”, but take a look.

That is sort of like Serpentine, isn’t it? Maybe I should try Serpentine out…

Maybe, I thought about Serpentine Bold too.

Several years back, I did a freeware face called Franken’s Stein, which applied the unusual inline treatment used in the Beck’s logo, but not the letterforms themselves.

Me thinks Gerard Unger’s Swift has certain characteristics that makes it compatible, esp. the heavier cuts.