Can't name any unfortunately. I decided to split this case in 3 (even 4): /B and /S (or alone), 'TORA' and 'RYGGERIETS'
TORA/OL: Bootcut, Acantha, Herr Foch, Mephisto
RYGGERIETS: Fredericksburg WBW, Smokehaus, Happy Holidays CC, Riviera

The two Gs side by side are different, so I see this as hand lettering.
The interesting initial S might have been based on a late 19th century font like Templar:

Rebounding with Solotype Templar by Don for /S only: Iskola, Sophie MF, Oh You Klid NF, Campanile, Cardinal/Wish MF/Cymbelline, Solotype Wedlock/Koster/Secesja, Filibuster NF, Acadian, Kilkenny

As far as I can determine the S font was cut by Schuenemann as Euclid for Cleveland. No patent found. Schuenemann worked for Central before Cleveland and while at Cleveland also cut some fonts for Central. Don't know if this includes Euclid. The Cleveland version was very a creative and ambitious effort that occupied 8 pages of the 1894 specimen book and included alternate capitals with sweeping swashes.
The swash initials are captured in Ryoichi Tsunekawa's Great Victorian http://dharmatype.com/dharma-type/great-victorian.html
Another version by Claude Pelletier http://www.dafont.com/euclidcp.font
Copying competitors typefaces and using different names is nothing new. From Euclid @ Central&Cleveland and Templar @ Palmer&Rey in the 1880s to the current batch found by Ryuk the practice never ends.
BTW, a link to Sophie MF that does not require downloading an exe file: http://www.fontyukle.net/en/DownLoad-Sophie+MF.ttf
Don

Campanile, which has a somewhat similar S to Euclid/Templar is an older font by Mackellar Smiths Jordan, cut and patented by William Jackson in 1879.
Cymbeline appears to be an original by David F. Nalle [1993] but he gave no information as to the source of the design http://www.fontcraft.com/Merchant2/merchant.mv?Screen=PROD&Product_Code=... Steffmann's Cardinal is a pirate copy -- exact match of nodes etc -- with some added characters. Rick Mueller's Wish MF [1997] differs in detail from Nalle's font and may also be an original. Wedlock [1998] is definitely an original -- based on type purchased by Dan X. Solo. it's the best digitization of this design.
Don

RYGGERIETS: Very similar to a 19th century typeface called Fantail.

Thanks for last input, Don.
RYGGERIETS: adding to previous suggestion of Fredericksburg WBW, Teutonic WTF, very close to Fantail
BTW, still came up to nothing for /B and all referenced /S for now are not matching original design either. Looks to mix influences from Templar and some 'Blackletter'...

RYGGERIETS: As far as I can determine this concept was designed by William F. Page in 1872 as a numbered type -- apparently not patented -- which later became known as Teutonic. This seems to be accurately revived by Jordan Davies. The foundry version seems to have been created at Mackellar Smiths Jordon with the name Fantail. Minor variations. OPTI might be closest to the foundry version. Edited versions are Nick Curtis' Fredericksburg and Richard Beatty's Wanted. See http://www.fontshop.com/fonts/singles/richard_beatty/wanted_regular_ot/o...