You're probably going to steal my idea on this, but:
What language/culture is most associated with which diacritic? Obvious ones:
Polish = ogonek
Spanish = tilde
The rest?
hhp
Most associated by whom?
Good question.
I would say -to avoid explosion- two kinds of people: non-native type designers; and native readers.
So for example the former group might associate the ogonek with Polish because it's the hardest extra to make for that language, but maybe for Poles the stroke is more culturally significant?
More:
Hungarian = double acute
? = ring
hhp
I associate ë and ï with French (which I learned at school) and ü with German (which I didn’t, but nonetheless occasionally encountered)—associations which date back to before I made fonts.
That seems straightforward, as ë and ï are quite common in French, and used in loan words to English such as Noël and naïve (and Citroën), whereas ü is rare in French, but common in German, and especially so in loan words to English such as führer (and Mötley Crüe).
Hoping/intending to separate the diacritics from base letters, I would say that to me the circumflex is most strongly French, while the umlaut (diaeresis) is most strongly German. But that might have to do with an ignorance of smaller European languages during my youth. BTW I remember Asterix's "La Grande Traversée" where they ran into Danes, who were basically speaking French but with O/o replaced by Ø/ø! Even their dog -a Great Dane, duh- barked "Wøøøf". :-)
I guess we'd need to do a large-scale survey (perhaps in the form of a game).
hhp
I remember Asterix's "La Grande Traversée" where they ran into Danes, who were basically speaking French but with O/o replaced by Ø/ø!
No better way to mimick 'foreign' speach than adding diacritics to fairly random strings (usually they lead to nonsense utterances :)
The caron (haček) appears to me tied to "Czech", even though it appears in lots of other languages, such as Esperanto.
And then there is the old pseudo-ЯussiДИ.
And then there is the old pseudo-ЯussiДИ.
You bet… Although it does not seem to belong in this discussion.
Here is my chain of associations.
é French
ł Polish
ð Icelandic
l·l Catalan
ґ Ukrainian
ў Belarusian
љ Serbian
Not very notable by itself, the kratka (‘Cyrillic breve’) is certainly very Russian, although it is used in Belarusian too. The most distinctive Russian letter is probably the ж (it is not unique to Russian language either), and the ё (pronounced yo) is easily the most controversial.
If we're limiting ourselves to diacritics, the macron makes me think of modern representations of Classical Latin and Greek or in romanizations of languages like Japanese, and only then Latvian. Similarly, the breve makes me think first of the McCune-Reischauer romanization of Korean rather than Romanian or Vietnamese. So often I associate diacritics with cases where they would not have been used in the native orthography (Classical Latin originally would not have used macrons or breves).
Even within a single language, diacritic use can be associated with particular variants, as in the issue of polytonic vs monotonic orthography in Greek. The former is associated with Katharevousa and the latter with Dimotiki, though not exclusively.
For me, diacritics are too small a unit to be associated with particular languages. Once you have a base letter, you can go further. Others here have associated the ring with Swedish based on å (though that would also work for Norwegian or Danish), but once you put the ring on a u to get ů, it screams Czech. Even without diacritics, digraphs and trigraphs and n-grams of increasing lengths are much more closely associated with particular languages. For example, wh is English, gy is Hungarian, tsch is German, and so forth.
For some bizarre reason, an o-double acute seemed to be translated into o-tilde when I was typing it in. Maybe if I had posted it, it would have displayed correctly.
As for Swedish-language education being compulsory in Finland, I can see that many people would campaign against devoting a significant fraction of the school year to learning a language of purely local interest. In Continental Europe, of course, second language learning does loom large; but I would have thought that if another language besides English were taught, the next choice would be French or German.
Learning a language is an enormous investment in time and effort, so I see no reason to apologize for the fact that such choices will be made on the basis of raw economic and political power rather than other criteria.
Schönes Thema, a german would say. Turkish for example loves the dots or dotted ones as much as German does: Ö,Ü and İ. G-breve (too) may be associated with Turkish, I guess: "Ğ." And she loves actually cedilla as well: "Ş/Ç". Hmm... hard to predict an association, but the "İ" wins (at least for Turkic languages.)
I don't want to get too much into the politics of Swedish-language education in Finland, but do note that Swedish is co-official with Finnish in Finland and there is a minority in Finland for whom Swedish is the mother tongue. The poem that became the national anthem was originally composed in Swedish. So it's a bit as if all Canadians were forced to learn French (if we leave aside the fact that French is spoken outside of North America as well).
none = English, Indonesian, Filipino
à = Italian
è = French
ñ = Spanish
ã = Portuguese
ü = German
ő = Hungarian
ł = Polish
å = Swedish
ø = Norwegian
ä = Finnish
ș = Romanian
ı = Turkish
ą = Lithuanian
ŀl = Catalan
ij = Dutch
ž = Croatian
æ = Danish
s̆ = Serbian
ć = Bosnian
ř = Czech
ľ = Slovak
ơ = Vietnamese
ģ = Latvian
ž = Slovenian
ð = Icelandic
ẹ = Yoruba
í = Welsh
ë = Albanian
ó = Irish
ḟ = Gaelic
ĥ = Esperanto
ā = Latin
ǝ = Azeri
So it's a bit as if all Canadians were forced to learn French
I believe it's still compulsory in school, even out here in western Canada where you pretty much never hear French spoken. But the teaching is mostly rubbish, and I know very few Anglophone Canadians who remember much of the French they were forced to take in school.
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